PDF Little Fantasia No. 1 - Piano

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Bach's Sonate for harpsichord with pedal in d minor, II mov. From the J. Bach's organs Fugues [No. Prelude and Fugue in e minor from the J. Prelude and Fugue in e minor [major] from the J.

Mozart, Wolfgang Amadeus [bap. Mozart, Joannes Chrysost[omus] Wolfgangus Theophilus]

Prelude and Fugue in b minor from the J. Prelude and Fugue in D major from the J. Prelude and Fugue in E major from the J.

Telemann - Fantasia in D major TWV 33:1 - piano - Harry Völker

Trascriptions [6] from Johann Sebastian Bach Fugues for string quintet [2 violins, 2 violas, cello] :. Prelude and Fugue in a minor from the J. Prelude and Fugue in c minor from the J. Bach's organ Fugue BWV Fugues [5] for string quartet from the J. Fugue in F major, KV Anh. Fugue in C major, KV Anh. About Samples Piano Rolls. What's MIDI?

How to save How to play. Privacy TOS. Bach, J. Gabrieli, G. Hammerschmidt Handel Hassler Haydn, F. Marini Medtner Mendelssohn-B. Pachelbel, J. Stravinsky Others. Biographies: J. Last updating: Mozart, Wolfgang Amadeus [bap. Presto Piano Sonata No. Allegretto Piano Sonata No. Alla turca: Allegretto Piano Sonata No. Allegro assai Piano Sonata No. Allegretto grazioso Piano Sonata No. Molto allegro Piano Sonata No. Presto Symphony No.

A Little Day Music

Allegro Symphony No. Finale Symphony No.

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Finale; Presto Symphony No. Finale; Allegro Symphony No.

Solo Syllabus | New London Piano Festival

Finale; Allegro assai Symphony No. Allegro Piano Concerto No. Presto Piano Concerto No. Tempo di Menuetto Piano Concerto No. Allegretto Piano Concerto No. Rondeau: Allegro Piano Concerto No. Allegro ma non troppo Piano Concerto No. Allegro di molto Piano Concerto No. Allegro assai Piano Concerto No.

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Allegro, Vivace assai Piano Concerto No. The variety is enough here to make the listener giddy, especially when presented in such vivid, richly textured studio sound.

With such tracks we listen intently, happy to follow Wang's fingers wherever they take us. Beautifully performed, this is the kind of music that leaves an audience wanting more.

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The sequence itself is satisfying. I've often noticed that paradoxical quality of highly charged relaxation, on the part of performer and audience alike, that can make an encore the most magical moment of a recital. Wang conveys a sense of it. Yuja Wang makes fiercely difficult music sound easy and natural, with no technical limitations hemming in her expression and no expressive excesses distracting from her achievements.

There is a voraciousness to her playing. She imparts a sprightly ping to Scarlatti's "Sonata in G Major" and brings just a touch of romanticism into the baroque composer's "Melodie d"Orfeo.

  • Telemann - Allegro (from Fantasia No. 1 in D major).
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  • Virtuosic piano chestnuts continue to serve her well. In Liszt's arrangement of the Act II gypsy song from Bizet's "Carmen," she melds dark, demonic whirls with graceful filigree.

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    And in the same composer's take on Schubert's "Gretchen am Spinnrade," a lovely contrast, she keeps a tender, lyrical line with wistful and dreamy qualities. With Deutsche Grammophon's exceptional reproduction, Wang presents the music with a wide dynamic range. The slow tracks are the best and give Wang space for interesting phrasing. Wang is clearly one of the major talents of our time and her playing throughout is of an astonishing verve, style and dexterity.

    In the Saint-Saens-Horowitz "Danse macabre" Wang storms the heights and her playing is of an unquenchable virtuosity.

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    She really gets inside the soul of Rachmaninov, and she renders the Scriabin pieces with smoky suggestiveness. Her CD is a flawless and charming collection of encores. Technische Grenzen scheint sie jedenfalls kaum zu kennen. May Related albums. Strauss Int. Release 01 Mar. Triana Vladimir Horowitz - 8. Tempo giusto Paul Dukas - March March Beautifully performed, this is the kind of music that leaves an audience wanting more. Related Searches.