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Heig's comparison between Argentina and Cuba further brings out the fact that, regardless of racial composition, the elites of both countries reached surprisingly similar conclusions on race and therefore had more in common with one another and their European models than with their own country's reality. Disappointingly however, she focuses on the latter's studies in criminology and their similarity with Italian models, while overlooking his very important theorization of the processes of transculturation at work in Cuban culture since the Conquest.

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Alan Knight's study of Mexico during and after the Revolution would serve as a critique of the two previous chapters since he greatly complicates the notion of race to include the all-important question of the construction of race by culture. He shows how, in many cases, the perception of racial characteristics has more to do with the perception of ethnicity, religion, language, culture, and class rather than with race itself.

The present work, culmination of nearly a decade of research, consists of preface, abbreviations and symbols, introduction, a corpus divided into Spanish American and Brazilian Portuguese terms, references i. As Stephens states early on, it is a broad-based work, geared specifically to speakers of English; and whose entries incorporate historical, literary, political, sociological, anthropological, linguistic and colloquial information.

More precisely, he goes on, such entries tend to refer to phenotype; ethnic, national, regional or geographic origin; social class; religion; and combinations thereof. Further commentary, set in brackets, may conclude the entry, offering some or all of the following information: etymological observations; the part of speech or type of phrase in which the entry generally appears; derivatives; variants; synonyms; antonyms; and cross-references to entries of similar usage or meaning in both Spanish and Portuguese.

Of particular value are the parallels drawn with English-language terminology. Regarding the corpus of the dictionary, there is the pervasive, legitimate and, for the investigator, complex realization that, in the naming process, social factors impact heavily on racial ones, thus making for unavoidable ambiguities in classification. Indeed, one result, found in both of the work's main sections, is what appears to be an over-zealous inclusion of regionalisms, particularly around peasant life, many of which lack appreciable ethnic or racial connotations.

In addition, entries which seem to lack a significant, if not the significant definition, sometimes arise. In point of fact, it is used more to denote underprivileged, short-term farm laborers, and not necessarily from the Northeast, either. Such limited shortcomings, however, are more than outweighed by the advantages of having under one cover a well-organized and thorough reference tool on Latin America's racial and ethnic terminology, up to and including relevant border parlance.

This is especially evident in the detail with which Stephens catalogs and cross-references spelling variations, as well as in his more extensive entries, dealing mostly with race. His work, thus, fills a vacuum, promising to facilitate future research for readers in many of the convergent fields associated with Latin American studies. Este libro consiste en un estudio concienzudo, sagaz, ameno, de un tema importante. Experiencia y conciencia Pero los estudios que se incluyen en este libro son desiguales.

Bibliographies of bibliographies perform an extremely useful function in the scholarly world and this one is a welcome addition to such works on the areas and countries of the Western Hemisphere. Its author is a librarian at the Ponce campus of the University of Puerto Rico and is the compiler of several other bibliographies that deal with Puerto Rico. Pages are a classified annotated bibliography of bibliographies that have dealt in any way with Puerto Rican topics.

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To some extent, they reflect the importance of the item or its complexity. Pages provide Author, Title and Subject Indexes. Certain sections might interest the readers of Hispania more than others. The coverage is remarkably thorough and comprehensive as it includes books, bibliographies that appear in journals or as part of ERIC, M. The annotations are most useful and the volume is extremely up to date.

It was published early in and includes material published as recently as Metuchen: Scarecrow Press, , ix, pp. For its comprehensiveness and excellent annotations this bibliography should remain for a long time the standard work in its field and anyone interested in Puerto Rico and its culture will find themselves indebted to the perseverance and scholarship of Fay Fowlie-Flores.

Guide Asunto para dos (Miniserie Deseo) (Spanish Edition)

Southern Illinois University-Carbondale. One of the reasons Latin American modernism in the European sense of the word was so successful is that it corresponded to an economic heyday of continental culture. Not only were many prominent Latin American writers able to hobnob in New York, London, Paris, Berlin, and Rome with the cultural leaders of the day and, in the process, become known from the recognition that the latter bestowed on them , but centers like Rio de Janeiro, Mexico City, Buenos Aires, Montevideo, Santiago, and Havana enjoyed a level of economic prosperity that made the nourishment of a Creole Bohemia and modernist set viable.

Certainly, Spanish American vanguardismo and Brazilian modernismo are eloquent demonstrations of the close ties between economic conditions and the level of artistic production. One is struck by the fact that, given the enormous productivity of Latin American modernism, a bibliography such as this one has not previously been compiled. But, then, poetry, outside of work on a handful of prominent figures like Paz, Neruda, Vallejo and Borges by derivation from his prose , continues to be the understudied genre of Latin American literature, with even work on drama and the theater overshadowing it.

The organization of their project is simple and straightforward: provide coverage of general works and then provide coverage for the individual countries in alphabetical order. Within each section there is a listing of Reference Works, followed by Sources from the Period especially useful, since the economic prosperity allowed for a huge output of literary reviews, manifestoes, and early critical studies, in addition to the works themselves , Individual Works i. The latter is a single alphabetical listing by critic as opposed to perhaps a more arguably chronological listing.

Although the entries as a whole are accompanied by descriptive annotations, the latter are particularly useful for the critical studies, indicating scope, points of contention, conclusion, critical approaches, and relations to other critical studies. Although annotated bibliographies often only mean repeating in English as an annotation the descriptive content of the title, Forster-Jackson provide useful coverage.

What is more, and again because of the proliferation of material during the period, some of the references are not easily available in any but the most extensive research collection, and in this scene the annotations play an important discriminating function. It should, however, be noted that it is the user who will be doing the discriminating, since the annotations do not in any event assess the cultural and intellectual importance of the references -i. Historically, this term only makes sense in Spanish and only refers to the Spanish American poets.

Brazilian literary history speaks of modernismo , never vanguardismo , and there is some discomfort in making Brazil toe the taxonomic line along with Spanish America, and then moreover in English. Perhaps using the English modernism or simply a chronological designation would have avoided the ever-touchy problem of how to interface Spanish American and Brazilian literature without implying that Brazil merely fits in between Argentina and Chile, with language and, therefore, sociocultural differences being of minor consequence.

This sort of caviling aside, one is pleased to see Brazil represented, since Brazilian literature usually gets ignored by Latin Americanists. Since that country had one of the most spectacular modernist productions in all of the continent, the decision to incorporate Brazil in the listing is particularly important.

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The bibliography, which enjoyed the support of the National Endowment for the Humanities and fine computer resources, is superbly prepared. Accuracy is exemplary. Vanguardism in Latin American Literature constitutes a fine bibliographic standard and will be a widely consulted reference work. This well-written volume of critical commentary on the work of Adolfo Bioy Casares takes its place on the narrow shelf of book-length studies devoted to the close friend of Jorge Luis Borges and the husband of Silvina Ocampo.

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In the second chapter the critic explores his detective fiction, a genre he cultivated with Borges with remarkable success. Guirnalda con amores , a book often overlooked by critics, is the subject of chapter 3. Bioy's interest in humor and dictionaries, an interest he likewise shared with Borges, is studied in chapter 4.

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The last two chapters are summaries of the themes and techniques found in the first five chapters. The sixth deals with the author's predilection for island settings in his early works and his later preference for settings either in the city of Buenos Aires or in the province surrounding the city. The volume contains an extensive bibliography of primary works and critical studies as well as an onomastic index.

Camurati clearly recognizes the signal importance of these two works, but she successfully makes a case for renewed critical attention to his later novels and short stories.

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His use of humor, for example, is not evident in the first two works. The idea that Bioy Casares primarily uses island settings is another result of critical emphasis on his first two novels. It contains examples of his use of humor and dreams, the latter either a foretaste of life after death or a nightmarish vision of earthly existence.

In the final pages of the novel the dedication of the photographer, the book's protagonist mentioned in the title, to artistic endeavors triumphs over his feelings of love and desire.

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Implicit in Camurati's conclusion is that Bioy Casares throughout his career has shown equal dedication to the task of producing fine literature. There can be no doubt that Camurati is a well-informed critic of the prose fiction of Bioy Casares. Her study is carefully organized, carefully documented, and free from any technical errors; the ones that do occur are primarily in the first two chapters. I think Peavler has chosen a felicitous classification; he arranges the stories in a kind of continuum that goes from those works containing a maximum of fantasy and unreality to those based on reality.

The key to the classification is verisimilitude in terms of character depiction, ambience, and the narration of the events in the work. Whether Peavler's comments cover one page or are limited to fifteen lines, he manages to strike at the core of each narration as regards theme, meaning, or technical aspects. Peavler handles well the ambiguities, uncertainties, and temporal-spatial displacements that give these stories their particular Cortazarian dimension and aesthetic appeal.

When necessary, Peavler reviews the opinions of other critics concerning particular texts, and then either corroborates or refutes these interpretations. In some cases, Peavler interprets the stories he discusses here as involving real events, whereas many previous critics have considered these same events as imaginary or hallucinatory. Peavler presents a good analysis of El examen , but correctly dismisses it as unimportant artistically.